TEPPEI KANEUJI

Teppei Kaneuji

Born in 1978, while enrolled at Kyoto City University of Arts in 2001, studied abroad at the Royal College of Art (London). In 2003 He completed the Graduate School of Sculpture at Kyoto City University of Arts. Currently, he is a lecturer for students majoring in sculpture at the same university. He collects everyday things and creates works using collage-like techniques. He has a wide range of forms of expression such as sculpture, painting, video, and photography, and seeks to devise a modeling system that consistently reveals the relationship between matter and image. Solo exhibition "Teppei Kaneuji's Mercator Membrane" (Marugame Genichiro Inokuma Museum of Contemporary Art, 2016), "Square Liquid, Metallic Memory" (Kyoto Art Center, 2015), "Towering Something" (Eurence Contemporary Art Center, 2013) , "Melting City, Blank Forest" (Yokohama Art, 2009) and others exhibitions locally and abroad, as well as many stage arts and bindings. Starting with performing arts of the possible spot-produced “Cannot each other like home appliances” (2011), and with “tower (TEATER)” (2017-) he started to worked on his own drawings and stage production of video works.

Born in 1978, Kaneuji Teppei studied at the Royal College of Art (London) as an exchange student while enrolled at Kyoto City University of Arts in 2001. He completed his graduate studies in sculpture at Kyoto City University of Arts in 2003. He is currently a lecturer in sculpture at the same university. He collects everyday objects and creates works using collage techniques. His expression ranges from sculpture, painting, video, and photography, and he consistently explores the idea of ​​a formative system that manifests the relationship between matter and image. He has exhibited in solo exhibitions both in Japan and abroad, including "Kaneuji Teppei's Mercator Membrane" (Marugame Genichiro-Inokuma Museum of Contemporary Art, 2016), "Square Liquid, Metallic Memory" (Kyoto Art Center, 2015), "Towering Something" (Ullens Center for Contemporary Art, 2013), and "Melting City, Blank Forest" (Yokohama Art Center, 2009), as well as numerous stage designs and bookbindings. He has worked on the stage design for the Auru Spot production "Unable to Understand Like Appliances" (2011), and on the stage adaptation of his own drawings and video works for "tower (TEATER)" (2017-).




http://teppeikaneuji.site